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#42

Seizure (Pandinus Dictator), 2016. Photograph, pigmentary print, 24 x 30 cm.

Caroline Delieutraz
UNNAMED FEELINGS

01/20/2017 - 02/25/2017
opening Friday 01/20/2017



Gallery 22,48 m² is pleased to announce Caroline Delieutraz’s third solo show. The artist invests the expanded gallery space with brand new pieces, continuing her researches about themes that span her whole work: circulation, capture, collection and otherness.

"To envision what radical otherness might be: the seal of impossibility with which such a venture is stamped simultaneously turns it into a tireless motor for creativity. If the ancient gods dealt with arousing the fantasizing function, the aura of mystery has shifted. Secularised, back down on earth, it has nested itself in another totem’s inwardness, just as hermetic: the machine, fantasized as a fully-fledged organism. Projection mechanisms, for their part, remain fundamentally the same. For the more we attempt to describe what eludes us, the more we end up describing ourselves. Hasn’t Jean Baudrillard already implied that “automation and personalisation aren’t contrary to each other at all. Automation is merely personalisation dreamed up at the object’s level”1 ? Caroline Delieutraz’s research attests to these implications: digital encryption of immemorial myths and the reinvestment of primary affects in the technosphere.

Certain of the key elements that guide her approach are outlined from the very title of her new monographic exhibition at gallery 22,48 m2. To entitle it “Unnamed Feelings”, in reference to Metallica’s song The Unnamed Feeling, reflects the process of sampling the signs that populate everyday life, a process that is also found in the reproduction of a Kilim carpet’s pattern or the recontextualization of SNCF luggage nets. In this way, Caroline Delieutraz updates certain iconic patterns, cognitive as well as affective, that circulate within contemporary visual culture. Seeing, thinking and feeling in a new media environment, through media which we’ve yet to fully tame, necessarily has an impact on content - on what is seen, on what is perceived and on what is felt in itself."


Extract from Ingrid Luquet-Gad's text. Read the full text within the press release.  


¹ Jean Baudrillard, Le Système des objets, Paris, Gallimard, 2014, p. 158


Exhibition view (photo: Aurélien Mole)



Exhibition view (photo: Aurélien Mole)





Fulgur (Pandinus Dictator), 2016.  
Photograph, pigmentary print, engraved glass 29,4 x 35,2 cm





Just The Fact Nothing But The Fact, 2016-2017.
HD video, 10 min 26 s
(photo: Aurélien Mole)




Exhibition view




Black Armor, 2017. Elements of fairing made of ABS, 160 x 180 cm (photo: Aurélien Mole)



Net (Pandinus Dictator), 2016. Black net, cellphone, found videos, 20 x 27 cm



Exhibition view (photo: Aurélien Mole)









Embbeded Files, 2015 - 2017 (photo: Aurélien Mole)



Embbeded Files, 2015 - 2017. Paraffin, found objects, 31 x 26,5 x 1 cm

 

✨ Unboxing + tapping + whisper ✨ with Rikita ASMR, ( Embedded Files), 2017.
HD video, headphones, binaural sound, 48 min 56 s


Blue Skins, 2017 (detail). Pigmentary print, 160 cm x 30 cm






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